One of the most lavishly illustrated codices of the Middle Ages, the "Belles Heures" (1405-1408/9) is the only manuscript executed in its entirety by the famed Limbourg brothers. Commissioned by its magisterial patron, Jean de France, duc de Berry, this richly illuminated "Book of Hours", intended for private devotion and now housed in The Cloisters at the Metropolitan Museum, ...(展开全部)

One of the most lavishly illustrated codices of the Middle Ages, the "Belles Heures" (1405-1408/9) is the only manuscript executed in its entirety by the famed Limbourg brothers. Commissioned by its magisterial patron, Jean de France, duc de Berry, this richly illuminated "Book of Hours", intended for private devotion and now housed in The Cloisters at the Metropolitan Museum, ...(展开全部)

Completed just weeks before his death, the lectures in this volume mark a critical juncture in the career of Roland Barthes, in which he declared the intention, deeply felt, to write a novel. Unfolding over the course of two years, Barthes engaged in a unique pedagogical experiment: he combined teaching and writing to "simulate" the trial of novel-writing, exploring every step ...(展开全部)

朱利安·杰克逊（Julian Jackson）是伦敦大学玛丽女王学院的历史学教授，英国科学院和皇家历史学会的院士。他是研究戴高乐和20世纪法国历史的主要权威之一，曾经2004年凭借《法国的衰落》获得了世界顶尖的历史图书奖项——沃夫森历史奖。 为了全面细致地展示戴高乐和他所处的那段历史，杰克逊首次使用了2004年公开的戴高乐未发表资料及其最近研究成果，并深入研究了戴高乐的私人生活，将戴高乐的人格魅力展现得淋漓尽致。本书荣获2018年度美国图书馆巴黎图书奖，更被《纽约书评》评为戴高乐传记中的“丰碑”。

朱利安·杰克逊（Julian Jackson）是伦敦大学玛丽女王学院的历史学教授，英国科学院和皇家历史学会的院士。他是研究戴高乐和20世纪法国历史的主要权威之一，曾经2004年凭借《法国的衰落》获得了世界顶尖的历史图书奖项——沃夫森历史奖。 为了全面细致地展示戴高乐和他所处的那段历史，杰克逊首次使用了2004年公开的戴高乐未发表资料及其最近研究成果，并深入研究了戴高乐的私人生活，将戴高乐的人格魅力展现得淋漓尽致。本书荣获2018年度美国图书馆巴黎图书奖，更被《纽约书评》评为戴高乐传记中的“丰碑”。

The publishing industry in France in the years before the Revolution was a lively and sometimes rough-and-tumble affair, as publishers and printers scrambled to deal with (and if possible evade) shifting censorship laws and tax regulations, in order to cater to a reading public's appetite for books of all kinds, from the famous Encyclopédie, repository of reason and knowledge, ...(展开全部)

The publishing industry in France in the years before the Revolution was a lively and sometimes rough-and-tumble affair, as publishers and printers scrambled to deal with (and if possible evade) shifting censorship laws and tax regulations, in order to cater to a reading public's appetite for books of all kinds, from the famous Encyclopédie, repository of reason and knowledge, ...(展开全部)

Every novelist's work contains an implicit vision of the history of the novel, an idea of what the novel is. I have tried to express here the idea of the novel that is inherent in my own novels. -- Milan Kundera Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, and Musil. He is especially pe...(展开全部)

The Hermeneutics of the Subject is the third volume in the collection of Michel Foucault's lectures at the Collège de France, where faculty give public lectures on any topic of their choosing. Attended by thousands, Foucault's lectures were seminal events in the world of French letters, and his ideas expressed there remain benchmarks of contemporary critical inquiry. . Foucault...(展开全部)

The Hermeneutics of the Subject is the third volume in the collection of Michel Foucault's lectures at the Collège de France, where faculty give public lectures on any topic of their choosing. Attended by thousands, Foucault's lectures were seminal events in the world of French letters, and his ideas expressed there remain benchmarks of contemporary critical inquiry. . Foucault...(展开全部)